Sir Joshua Reynolds
British
1723-1792
Sir Joshua Reynolds Locations
Reynolds was born in Plympton, Devon, on 16 July 1723. As one of eleven children, and the son of the village school-master, Reynolds was restricted to a formal education provided by his father. He exhibited a natural curiosity and, as a boy, came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life.
Showing an early interest in art, Reynolds was apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". Unfortunately, whilst in Rome, Reynolds suffered a severe cold which left him partially deaf and, as a result, he began to carry a small ear trumpet with which he is often pictured. From 1753 until the end of his life he lived in London, his talents gaining recognition soon after his arrival in France.
Reynolds worked long hours in his studio, rarely taking a holiday. He was both gregarious and keenly intellectual, with a great number of friends from London's intelligentsia, numbered amongst whom were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Giuseppe Baretti, Henry Thrale, David Garrick and fellow artist Angelica Kauffmann. Because of his popularity as a portrait painter, Reynolds enjoyed constant interaction with the wealthy and famous men and women of the day, and it was he who first brought together the famous figures of "The" Club.
With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of 'the Age of Johnson'. It is said that in his long life he painted as many as three thousand portraits. In 1789 he lost the sight of his left eye, which finally forced him into retirement. In 1791 James Boswell dedicated his Life of Samuel Johnson to Reynolds.
Reynolds died on 23 February 1792 in his house in Leicester Fields, London. He is buried in St. Paul's Cathedral. Related Paintings of Sir Joshua Reynolds :. | the lamb children | Master Hare | lady charlotte fitzwilliam | george selwyn | Elisabeth, Sarah and Edward, Children of Edward Holden Cruttenden | Related Artists: Giovanni Battista MoroniItalian
c1520-1578
was a North Italian painter of the Late Renaissance period. He is also called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.
The National Gallery (London) has one of the best collections of his work, including the celebrated portrait known as Il Sarto (The Tailor, a member of the Fenaroli family, illustration). Other portraits are found in the Uffizi (the Nobleman Pointing to Flame inscribed "Et quid volo nisi ut ardeat?"), Berlin Gallery, the Canon Ludovico de' Terzi and Moroni's self-portrait; and in the National Gallery, Washington, the seated half-figure of the Jesuit Ercole Tasso, traditionally called "Titian's Schoolmaster", although there is no real connection with Titian.
The Accademia Carrara (Bergamo) (Portrait of an old man). Ashmolean Museum (University of Oxford), Brooks Museum of Art (Memphis, Tennessee), Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Hermitage Museum, the Honolulu Academy of Arts, Kunsthistorisches Museum (Vienna), the Liechtenstein Museum (Vienna), the Musee du Louvre, Mus??e Cond?? Chantilly (Chantilly, France), Museo Poldi Pezzoli (Milan), the Museum of Fine Arts, Boston, National Galleries of Scotland, the National Gallery of Art (Washington D.C.), the National Gallery of Australia, the National Gallery of Canada, the National Gallery, London, the Norton Simon Museum (Pasadena, California), Pinacoteca Ambrosiana (Milan), Pinacoteca di Brera (Milan), Rijksmuseum, the Ringling Museum of Art (Florida), Studio Esseci (Padua, Italy), University of Arizona Museum of Art, Virginia Museum of Fine Arts and the Uffizi (Portrait of Giovanni Antonio Pantera) are among the public collections holding works by Giovanni Battista Moroni. Johan Laurentz Jensen (8 March 1800, Gentofte - 26 March 1856, Copenhagen) was a Danish artist who specialized in flower painting.
In parallel with his studies at the Danish Academy, he became a pupil of Christoffer Wilhelm Eckersberg and also of Cladius Detlev Fritzsch. Specializing in flower painting, Jensen continued his education in Paris under the Flemish flower painting brothers, Gerard and Cornelis van Spaendonck, and at the porcelain factory in Sevres where he learnt the art of miniature flower painting. Taking 17th-century Dutch flower painting as a starting point, he revived the art in Denmark. His floral arrangements often had both a decorative and symbolic value. Danish plants were often accompanied by exotic flowers and fruits, sometimes even birds. He also became head artist at the Danish Procelain Factory. Jensen had an extensive circle of customers and many students, especially women, including Louise of Hesse-Kassel who later married King Christian IX. Since the 1980s, his works have gained wide international recognition. Many are exhibited in Statens Museum for Kunst and in Thorvaldsens Museum. Victor ProuveFrench, 1858-1943
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